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The simplicity of Fresco’s UI also gives me hope that there is more room left for additional features. These issues broke the illusion of illustrating with real brushes and paint, so I hope they get ironed out before release. In a few cases, I lost previously complete drawings. I ran into a number of show-stopping bugs that prevented me from saving my work. The roundtrip process worked seamlessly.Īs much as I enjoy Fresco today, there’s a reason it hasn’t been released to the public yet. I also tried creating and importing my own brushes using Adobe Capture in combination with Fresco for brush design.
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I don’t have a large collection of preexisting Photoshop brushes, but I was able to download and import new brush packs from Adobe’s Kyle Webster easily. I hope Adobe adds more Live Brushes in the future because it’s the only way I want to paint in Fresco. Watercolor strokes mix together fluidly and oil paints stack and smear to texture your canvas with complex color blending. The realism of Live Brushes is hard to overstate. When using Live Brushes, I stopped thinking about the fact that I was using an app and started focusing on the physics of the paint itself. But for freehand painting and illustration, Fresco can’t be beat. If you’re using Fresco for technical drawing or complex compositions, you might run up against its limits fairly quickly. Apps like Procreate have significantly more features, but a steeper learning curve that keeps me from doing what I want to do - draw. Adobe Photoshop Sketch delivers a distinctively mobile experience. Adobe Illustrator Draw focuses exclusively on vector tools. If you’re used to existing Adobe apps on iOS or other popular third-party tools, you’ll find Fresco surprisingly different. Fresco’s brush settings pane can be detached from the main interface, and the layers list can be hidden with a tap. A movable Touch Shortcut button borrowed from the upcoming Photoshop on iPad enables quick secondary actions like erasing. I didn’t have to spend time learning the interface before jumping in.Īt the same time, Fresco’s UI feels tailored to the iPad with a refined set of tools built for touch. As a desktop Photoshop user, I found Fresco’s interface immediately familiar and understandable in a way that other iPad drawing apps weren’t.
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Getting started tutorials and inspiration from Behance are there to help if you get stuck.
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Professional creatives and novices alike should feel at home. You can even export a Fresco document as a PSD file and adjust it further in Photoshop on the desktop.Īdobe says Fresco is built with a wide audience in mind. Each type of brush commands separate layers that can be reordered and placed in the same document. Existing Photoshop brushes can be imported and used right alongside new live watercolor and oil brushes. Raster, Vector, and Live Brushes combined in Adobe Frescoįresco’s most notable feature is its combination of raster, vector, and Live Brushes in one seamless interface. You’ll also want to use an Apple Pencil, however it’s not required. For now, you’ll need an iPad Pro, iPad Air 3, iPad mini 5, or fifth and sixth-generation iPad running iOS 12.4 and later to use Fresco. Other platforms and devices will be added in the future. A specific release date hasn’t been announced yet, but the application is still on track to launch on the iPad later in 2019. I’ve been documenting my experience - and hiccups - along the way. We discussed iPad illustration and Project Gemini with Gemini 10 member Tracie Ching earlier this year.Īpproaching a public release, Fresco is now in the hands of beta testers. Shaped by a group of professional artists known as the Gemini 10, Adobe refined Fresco’s design and workflows over the past year. Announced alongside Photoshop on iPad (still arriving later this year), Gemini was the seed of what has become Adobe Fresco. Last October at Adobe MAX, Adobe previewed a new application codenamed Project Gemini.
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I’ve been testing the app to see how natural it feels and how it compares to other tools, including Adobe’s own existing apps. Adobe Fresco is a new tool for iPad illustrators promising a truly organic drawing and painting experience that accelerates workflows across multiple devices. There’s no shortage of iPad creativity apps on the market today, but Adobe wants to prove there’s room for at least one more.